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“Woodward played with astonishing calm… in Woodward I sensed the composer’s real intentions… here is a player with real integrity.” Christchurch Symphony, Rachmaninov Third Piano Concerto, 1995

LATEST NEWS

ROGER WOODWARD PLAYS BACH AND SHOSTAKOVICH PRELUDES & FUGUES, 2 concert series

CITY RECITAL HALL, Angel Place, Sydney Australia
Concert 1 - Friday 13 June, 7.30pm
Concert 2 - Sunday 22 June, 5.00pm
Tickets http://www.cityrecitalhall.com
Phone Sydney (61) 02 8256.2222

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Preis der Deutschen Schallplatten Kritic - German Critics' Award

http://schallplattenkritik.de:80/li/2007-4.html

Prestigious German Critics’ Award for Roger Woodward’s Celestial Harmonies CD 13 2802 JS Bach, Chromatic Fantasia & Fugue BWV 903, Partitas Nos 2 & 6.  (see Discography Section) Reviews: http://www.classicalsource.com/db_control/db_cd_review.php?id=5481

Hans Otte’s “Stundenbuch / Book of Hours” and Peter Michael Hamel’s “Vom Klang des Lebens - Of the Sound of Life” listed in the February, 2008 issue of nmz-neue musikzeitung in Germany among the best records released during 2007. (See Discography Section)

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Chopin - The Complete Nocturnes, released October 2006

Musik an sich ... October 2006, by Sven Kerkhoff “Unconditional Recommendation” 20 .....  PHANTASTIC


http://www.harmonies.com/reviews/classic%20fm%20magazine.pdf

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THE ARTIST

In October, 2006, Celestial Harmonies’ release of the Chopin’s Nocturnes was reviewed in Frankfurt’s Musik an sich… by Sven Kerkhoff:

“The complete recording of Chopin’s Nocturnes has no equal. Woodward approaches them with great gentleness. Virtuosic tinkering with the keyboard is foreign to him. His concentrated inter-pretation is well thought out, now and then pensive and contains embellishments of astonishing yet never conceited liberties that demonstrate how strongly and in what a breathtakingly modern way Chopin has worked with sound colours.  Ethereal sound constructions rise and dissolve like phantastic dreamscapes. But those landscapes are of such ravishing beauty and the farewell from these intangible constructions so painful, that one has to continually catch one’s breath. Whoever could not, until now, marvel at or cry over Chopin will learn it here…
Unconditional recommendation!”

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